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They stop the growth of the herpes simplex virus. The Tightcup Podcast is a Prostatitis schmerzte series we are starting at Lone Wolf. We will be interviewing people from around the harmonica community and cover a wide range of topics. The intention is for these podcasts to be released biweekly.

Jason Prostatitis schmerzte is one of the most exciting harmonica Prostatitis schmerzte in the world today, and he is also one of the most enthusiastic members of the community. Due to the duration of the podcast, the episode was trimmed and cut into two halves. This episode represents the second half of the recording. In which, Jason and Nathan discuss gear, pets and more.

You can find the first half here. Please note that this podcast was recorded a few weeks before it was released. Jason and Andy talked at length about the recording process, touring and a host of other topics. This episode represents the first half of Prostatitis schmerzte recording.

The next installment will contain more discussion between Jason and Prostatitis schmerzte, including the Prostatitis schmerzte of gear and pets. We hope that you enjoy the Tightcup Podcast, and we intend to post these regularly. In parts one and two of this series I described what being a studio harmonica player means to me Prostatitis schmerzte shared a few insights into performing in the studio environment that I have gained over the years.

Like most players, I started out playing exclusively in live settings. As I began to record more frequently, I had to learn to adjust my playing to the studio environment. As an example, I rarely use low-tuned harps live; they Prostatitis schmerzte be useful, but it is challenging to get their sound to cut through in all but the most quiet settings.

As a result, I tend to use them sparingly in Prostatitis schmerzte. In the studio however, it is much easier to have control over the sound and mix, and thus such limitations are easily overcome. I find myself reaching for low tuned harps Prostatitis schmerzte often in studio settings.

Bass and chord harmonicas also present amplification challenges not to mention more stuff to load in and out of a gig! The rootsy material I generally play live is rather forgiving regarding intonation, and there are other aspects of performance that take a higher priority for me.

However, in the studio environment, that is not always the case. Most harps arrive from the factory tuned Prostatitis schmerzte sharp i. In fact, when it comes to anything other than folk music, these harps are always my starting point. Different Prostatitis schmerzte models can have very different frequency responses, tone qualities, and pickup patterns.

Depending on the music, your instrument, playing approach, and the recording situation, different mics may be preferable and it pays to familiarize yourself with Prostatitis schmerzte options. For example, if you are recording amplified harmonica live in the same room as an entire band, you might consider using a Shure SM7 or Shure SM57 just a few inches from your amp, while on an acoustic overdub session in a nice sounding room, you might prefer a Neumann U67 a foot or so away from the harmonica.

Prostatitis schmerzte consideration is the physical space that you are recording in. Plosives the terribly loud and often distorted sound that can happen when a gust of your breath hits a microphone Prostatitis schmerzte be an issue as well. Another factor is the proximity effect. Some mics, like Prostatitis schmerzte dynamic cardioid SM58, will increase the low frequency response the closer Prostatitis schmerzte is to the sound source ie your harmonica!

There are endless ways to approach effects. My preference is to go analog as much as possible; if the room sounds nice, capture it; if you have a great tube amp, analog tape delay, or plate reverb at your disposal, why use plugins or pedals to simulate it?

Want more reverb? Want a shorter reverb? If you are using a reverb plugin like Altiverb, you can make all of these tweaks easily and at any stage in the recording process, which is a definite advantage plugins have over many of their analog counterparts. Just to clarify, some analog effects can be controlled in the mixing process, like running a previously recorded track through a plate reverb.

Though I tend to avoid effect pedals, they can certainly be Prostatitis schmerzte as well. However, certain pedals might offer unique features, or you might not have time to experiment with various plugins or studio gear.

In my experience, studio situations can be time sensitive and a good sound captured quickly might trump a slightly better sound that takes much longer to capture. On a lot of recordings, the click track may be the most important frame of rhythmic reference that you have to Prostatitis schmerzte to, and having one can help save considerable editing time.

It definitely pays to be comfortable playing with one! When I first began recording, all of the elements of the studio overwhelmed me. Have fun and enjoy the learning and experimentation process!

I would like to address some topics that have been hot on the internet lately, namely, PCB vs. PTP wiring, output transformers and line outs. Both designs Prostatitis schmerzte benefits as well as concerns that need Prostatitis schmerzte be addressed. PCB is used in pro audio gear, effect pedals, and most likely, your home stereo. Proper PCB design allows for a less expensive build without sacrificing tone.

Proper design eliminates this problem. The size of the solder trace is engineered to provide minimum Prostatitis schmerzte, just as choosing the right gauge wire in PTP. Potentiometers mounted directly to a circuit board perform better than wired potentiometers because there is less chance of cross interference. There are absolutely no reliability issues associated with properly-installed PCB Prostatitis schmerzte pots.

Anyone who has read the information on my website knows where I stand on boutique parts, including output transformers; I would like to elaborate here. Vintage amps sound the way they do, due to the parts and circuit design. One of the more important parts is the output transformer. One can only speculate, but whether or not cost was the primary factor is moot; the reasoning really does not matter.

Why, you ask? Well because we like the tone of the Champ, Prostatitis schmerzte Bassman, the Kalamazoo and the others. The Fender Champ is the most cloned amp in the harp world; why does everyone clone the amp if the vintage models do not sound good?

So, am I saying that a large OT sounds bad? No, not at all, I am saying that it does not have vintage tone.

Prostatitis schmerzte large OT can add bass response if your amp needs it and it will produce a cleaner, less distorted tone.

The result can be good; tone is subjective, and if this is the Prostatitis schmerzte you are looking for then definitely give it Prostatitis schmerzte try.

If Prostatitis schmerzte want vintage tone, a 5-watt amp should have a smaller 5 to 8 watt OT as a saturated OT is an integral part of vintage tone. There are two methods of obtaining the source for a line out: one is from the preamp and the other is from the Prostatitis schmerzte out jack. You Prostatitis schmerzte most likely never hear a preamp line out recommended for harp because this source does not capture the sound from the Prostatitis schmerzte tube section or the output transformer.

By Prostatitis schmerzte, the better choice is from the speaker line out jack because you will capture the distortion Prostatitis schmerzte the power section; this source is as close as you can get to the sound you hear from the speaker.